Page 102 - Tributaries Catalogue

For the Tributaries Project Pilgrims’

Exhibition, Heather selected six of her
photographs to mount and display in

the intimate setting of a cabinet. Even
the structures of the abandoned

cottage and the austere lighthouse,
set against the deep blue sky, and

indeed the strangely (mis)placed
bone-structure of a sheep’s skull

contribute to the overall mood of
internalisation and stasis from which
the “deep seeing” of aesthetic

contemplation works its magic. Along
with “Lily with Water Drops,” and

“Pebbles” (discussed above), the
paradoxical “water pool” that comes

across as a bed of pebbles, show
aspects or moments of Heather’s

reflective encounters with water.

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