Page 124 - Tributaries Catalogue
P. 124
“Landscape/Water”
In this paper, presented at the aims to capture that abstract,
Tributaries Project Seminar (May uncertain “time between,” when
21), Grettel discusses the change is about to happen. If the
theoretical approach of the overall surrounding environment is a
project which inspired the making dynamic interplay of forces,
of “Visceral Sludge.” She moves permanently in transition and
beyond a traditional conception of always a ceaseless movement
landscape painting as a static image between invisible particles, then
representing a scene viewed from a pollution too, must be thought of in
human perspective. Instead, she these terms. Contemporary micro-
sees a landscape as a field of forces pollution is the underlying meaning
always in motion. Things are never which runs below the surface
still, but always in transition, always appearance of all landscapes, even
becoming. This is nicely captured in the most seemingly pristine.
the concept of the “liminal.” The Grettel’s question becomes one of
word “liminal,” derived from the depicting contemporary landscapes
Latin word for “threshold,” suggests through the lens of dust and, now,
an uncertain “moment between,” invisible micro-level water pollution,
when an entity is “no longer one and the aesthetic problem is how
thing” but not yet another. She to capture this in a painting.
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