Page 28 - Tributaries Catalogue
P. 28

Each of the work’s 12 figures            regarding action to avert the plastic

                                                     (photo, page 18: Sharon Rudman)          crisis. The “Capitalist Monster,” first

                                                     combine body-painting and                performed by Joshua Rudman,
                                                     costuming, created from plastic          critiques the waste generated by

                                                     trash collected along the Nelson         consumer culture. The “Green
                                                     Mandela Bay coastline. They all          Monster,” first performed by Mmeli

                                                     show aspects of the multi-facetted       Mdala, personifies land plastic
                                                     plastic pollution crisis. The            pollution. The piece combined
                                                     centrepiece, “Blue Plastic Monster”      leaves and flowers crafted from

                                                     (shown on the left), personifies the     plastic discarded in local fynbos
                                                     marine plastic pollution crisis. Luke    areas. The “Microplastic Monster,”

                                                     performed this piece at The              first performed by Britney
                                                     Tributaries Project Pilgrim’s            Govender, evokes the fear of our

                                                     Exhibition, and also highlighted the     daily ingestion of microplastics in
                                                     “Fast Food Monster” (shown on the        food. The wounded “Styrofoam

                                                     next page), first performed by           Angel,” first performed by Andrea
                                                     Nehemiah Latolla. He describes this      Hurst, depicts the distressing

                                                     figure as an incongruous, surreal        desecration of serene and majestic
                                                     representation of everyday, single       natural spaces by plastic pollution.

                                                     use plastic cutlery and receptacles,     Two untitled pieces, first performed
                                                     which hopes to prompt a fresh            by Jessica Swan and Shannon Pika,

                                                     perspective on their environmental       pairs discarded plastic with human-
                                                     effect and renewed conviction            like features to show the complex




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