Page 32 - Tributaries Catalogue
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“Beauty and the Beast”: Performance art
                                                     against plastic pollution



                                                     In “Beauty and the Beast,”               the internal invasion of hormones,

                                                     presented at The Tributaries Project     chemicals and microplastics,
                                                     Seminar (Apr 26), Luke offers an         leeched into our bodies from plastic
                                                     account of how performance art           containers. In the seminar, Luke

                                                     can challenge traditional forms of       presented initial ideas for his
                                                     gallery art, and therefore art’s         performance artwork against plastic

                                                     commodification. This makes it ideal     pollution. Using the human body
                                                     for inspiring social change. “Body       was central. Referring to a clean-up

                                                     art” he adds, is an off-shoot of         project where a whale-shaped cage
                                                     performance art, where the human         was made, into which people threw

                                                     body becomes the canvas. This            trash collected in the area, he also
                                                     introduces novel connotations into       planned to use plastic trash picked
                                                     the artist’s symbolic palette, which     up locally. But he envisaged

                                                     are particularly interesting in view     structures that people can wear,

                                                     of the plastic problem. There is a       turning the tables in the sense that
                                                     sense in which human bodies and          performers would not throw trash

                                                     environments are significantly           out, as we have been doing for so
                                                     “becoming-plastic,” not only due to      long, but would themselves, as

                                                     the ubiquity of plastic goods used       human bodies, be filled with,
                                                     and carelessly discarded, but also to    covered by, and bearing this trash.






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